When people board an aircraft, mundane day-to-day affairs occupy their minds. But when their flight gets hijacked and subsequently crash lands in an isolated place, they have to call to the forefront all their survival skills, to trek in a hostile terrain, with dwindling supplies of food, physical and mental strength. Adding to their problems is the presence of a terrorist travelling incognito among the passengers. Will they ever find a way home?
After having read the latest thriller from Sudha Ramnath, Flight or Fright (A review of the book can be found here), and being privileged to virtually meet, host, and interact with her on the Author Talk series of Did You Read Today, it was a delight to feature her in this interview by Tomes and Tales.
ABOUT THE AUTHOR
From being part of a women’s drama troupe specializing in male roles, to writing plays, from living on a remote island near Madagascar to skydiving from 18,000 feet, Sudha Ramnath has quite the penchant for crafting experiences. She has written, directed and staged four English language plays in Tanzania and Kenya, along with other Indian expats. She has worked in a bank, married a man whom she calls the ‘sane’ part of her life, taught math and physics, and is a mad but loving mom to her two children. While others like her drew up grocery lists and laundry schedules, Sudha made plans to live the moments and stick by them. She made the pilgrimage to Alaska to see the Aurora Borealis, danced like there was no tomorrow at a flash mob in San Francisco, and stood on the rim of the Ngorongoro Crater in Tanzania and watched the million dollar sunset. She spent a month in the Himalayas, where she met His Holiness the Dalai Lama. When he heard that a few chapters of her latest novel dealt with Tibetan issues, he went against protocol and signed the book for her.
An interview with Sudha Ramnath about “Flight or Fright”
1) You debuted on the literary scene with “Susp’Ended”, a short story collection. How did the transition to a novel come about?
I wanted to write a full-length novel for my first publication. However, just as I began writing, my husband got a job in Kenya and we decided to move. Right around the same time, my daughter got married. So life suddenly got very hectic. I had the choice of using some short stories I had written earlier (but not published), or postpone the idea of publishing. I was so bitten by the publishing bug that I chose the first option. That’s how Susp’ended became my first book as a debut writer.
2) “Flight or Fright” is a hijack story at its core, but multilayered in its themes and narrative. How did the story come to you?
I have traveled a lot in life. During flights, I have always been fascinated by the other passengers. I would wonder if the lady sitting next to me was a quiet homemaker or a business executive? The young man opposite – why was he so upset? The nervous-looking gentleman in the front seat – was he going for an interview? The young girl with all those newly married trappings – was she going back home to meet her parents or was she flying to be with her new husband? I guess when I got a chance to speak about my thoughts, I brought them all into the book.
3) How much of what happens in the novel is based on true events and research versus imagination and creativity? How do you strike a balance as a writer?
Most of the characters are based on people I have observed, but not their stories. For example, the nervous gentleman whom I had once seen on a flight became Mukesh Narula, the jittery entrepreneur going to meet a prospective investor. A sweet-looking lady who kept fussing to her husband about her plants and was worried if the maid would forget to water them became Gowramma, a young mom fond of plants. There must have been plenty of other passengers on other innumerable flights. But some I remember for the stories I wove around them. They became characters.
4) The novel does not have a protagonist. Your character development is so strong that each one of them is an instrumental part of the story. Was this a conscious decision?
When the story involves a plane full of people and what happens to them, it cannot be about one or two protagonists. I am basically a storyteller. I let the story guide me. A long time ago I had understood something about myself, that I am an average person – whatever strikes me as funny, most others find funny, too; what I think is interesting, others find interesting, too. So I went for whatever interested me.
5) You are famed for your crime stories and mysteries. Could you tell us about your writing process in creating them? How do you plot situations, keep track of minuscule details, reveal clues for the reader, and introduce twists throughout the story?
I have been a fan of thrillers right from when I was a kid. Initially, I only enjoyed the thrill they provided. But after reading for a long time I began noticing how the famous writers did it – how they laid a trail of deception for the readers to fall for, how they built the suspense, how they revealed the end, what kind of stories needed a reveal only on the last page, and how some writers kept the readers interested by weaving in small bites of suspense that got revealed in the next chapters. I have learned from great masters like Agatha Christe, Jeffrey Archer, and Jeffrey Deaver.
6) Dividing the book into two sections was a very innovative and interesting part of the narrative. The first half as chapter numbers, and the second as numbers of days, interspersed with conversations as transcripts. How did that come about?
After the passengers were stranded I felt it made more sense to count the story by the number of days than as chapters. I agonized with them, I suffered with them, I enjoyed their escapades, I marveled at their adventures. So, the days mattered to me more than the chapters.
7) The character of the school principal is seen to be observant and curious, a reader of her co-passengers’ personalities. It reminded me of you. As a writer, how much of your characterization is based on people you know or observe?
Oh, Looks like you caught me! But her character is something I aspire to. Her acumen, her perspicacity, her maturity; it’s someone I want to be more than I am. But thanks a lot, because I take it as a compliment. Mostly, my characters are based on people I observe rather than people I know.
8) While your thrillers and mysteries are in a league of their own, your humorous travelogues and anecdotes bring much reading delight as well. Any thoughts about writing books in humor and other genres?
I would love to write humor and also romance. But I am sure the romance I write will also have a twist at the end.
9) You have written screenplays and directed and acted in theatre. Have you considered publishing them in book format for readers to gain access?
It is interesting to write screenplays. One has to bring about the story only through dialogues and action sequences. But I found it challenging and fun. My first play ‘The Dream’ was adapted from a short story of mine published in a magazine called ‘New Woman’, almost twenty years ago. I had to introduce a few new characters into the play to bring the story out coherently. I enjoyed it tremendously. I have never thought of publishing them. Now that you have asked me about it, maybe I will think about it seriously.
10) Who are your literary influences? Any books or authors you would recommend reading?
I guess we all imbibe unconsciously from whatever we read. Strangely, I realized something only recently. There is this Facebook writers group called ‘Did You Write Today’ to which I belong. Every Friday a word is given and we write something for the prompts. Most of what I have been writing is somehow or the other influenced by what I was reading when I wrote them. I would love to write humor like PG Wodehouse, murder mysteries like Agatha Christe, courthouse dramas like Perry Mason, and thrillers like James Hadley Chase. I found this author called Ken Follet whose books are a class apart. His storytelling capabilities are amazing. I feel he has never got the popularity he deserves. I would recommend his books, ‘The Key to Rebecca’, an edge-of-the-seat spy story, and ‘The Man from St. Petersburg’, a political thriller.
11) You’re a natural storyteller, in both speaking and writing. Tell us about any upcoming books or projects to look forward to.
I am almost finishing a novel that I am enjoying writing. Most of the days I am Yagnika, the protagonist of the story. I think like her, react like her, and feel like her. Jokes apart, it’s a story about four friends who are exceptionally intelligent. One of them is suddenly murdered, another one has to run away with a mysterious red packet, the third is chasing her, and the fourth one is absconding. I am using a different technique of alternating the present and past as chapters to make the story interesting. Suddenly I have thought of an epilogue for the story that actually ties very well with something most people can relate to. I can’t say more about it without revealing too much, so please wait and read it for a stunning twist at the end. Also, this DYWT group I spoke about earlier? I have been writing very short stories with a twist for the weekly prompts. I just realized that I have more than sixty of them, and so plan to publish them as a book. These two are what keep me busy these days.